THE ARTS SOCIETY RICKMANSWORTH
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DateLecture
13 November 2018The Other Side: Counter Memorials, Germany's Post WWII Culture of Apology and Attonement
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11 September 2018Votes for Women! Art and Suffragettes
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09 January 2018Sir Edwin Lutyens - Architect of the British Empire
12 December 2017O, Yes It Is! History of the Pantomime from Ancient to Modern Times
14 November 2017Wagons West - Images of the American Frontier
10 October 2017Northern Lights - Danish Art and Design c1800 - 1960
12 September 2017Edgar Degas - Pioneer of Impressionism
13 June 2017 'Wild men of the North' Tom Thomson and the Group of Seven
09 May 2017EXTRAORDINARY AGM and lecture And so to Vauxhall: music and culture at the celebrated Gardens
11 April 2017Masquerades, Music Lessons and Monkeys - the world of 18th Century porcelain figures
14 March 2017Faber and Faber- 90 years of excellence in cover design
14 February 201720th Century Studio Glass
10 January 2017Thomas Heatherwick: “the Leonardo da Vinci of our times” (Sir Terence Conran)
13 December 2016Is Christmas in Good Taste?
08 November 2016Eric Ravilious and the Lure of the Everyday

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The Other Side: Counter Memorials, Germany's Post WWII Culture of Apology and Attonement Angela Findlay Tuesday 13 November 2018

13th November 2018

The Other Side: Counter Memorials Germany’s Post WWII Culture of Apology and Atonement - Angela Findlay

In these years of World War 2 Anniversaries the subject of this talk is hugely relevant. Relatively little is known in this country about Germany’s complex post-war process of remembrance and the counter memorial movement that started there in the 1980s and continues to this day.

Germany’s very specific situation rendered all traditional concepts of monuments and memorials irrelevant and inappropriate. Instead of commemorating their own losses Germany artists looked to creating art forms that would respond to questions of apology and atonement: How does a nation of former persecutors mourn its victims?

The idea behind counter memorials is to keep the memories and lessons of the past alive in the individual psyches of the people. The results are extraordinary, brave, and inspiring.

With her Anglo-German roots, artistic background and years of research, Angela is in an ideal position to give insights into Germany’s fascinating and on-going efforts to find artistic forms for the remembrance of the victims of one of history’s darkest periods.

Angela Findlay is a professional artist, writer and freelance lecturer with a long standing interest in the role the arts and the creative process can play in bringing about changes, on a personal level or within societies. Her long career of teaching art in prisons and Young Offender Institutions in Germany and England, followed by her role as the former Arts Coordinator of the Koestler Trust in London, gave her many insights into the huge impact the arts can have in terms of rehabilitation. She is currently advising the Ministry of Justice and presenting the case for the arts to be included in their new rehabilitation and education policies.

In the past decade Angela’s Anglo-German roots led her to discover and research Germany’s largely unknown but fascinating post-WWII process of remembrance. So completely different to the British one, the arts once again play a huge and vital role in expressing the apology and atonement that underlies the country’s unique culture of memorials and counter memorials.

Angela has a BA(Hons) in Fine Art, a Diploma in Artistic Therapy (specialising in colour) and her paintings are widely exhibited both nationally and internationally.